by Anne E. Johnson
There probably weren’t many of us in the audience at City Center for the Encores Off-Center production of God Bless You, Mr. Rosewater who had read the Kurt Vonnegut novel on which the musical was based. I’d read it three times. I got hooked on Vonnegut by a forward-thinking high school English teacher, so by college I was seeking out the more obscure books. Decades later, Rosewater remains my favorite of his works.
Given that the music was by Alan Menken and the lyrics by Howard Ashman, I expected a saccharin, Disney-esque treatment of the material. Not so! The ruthless criticism of the status quo and power structures; the baffled wonderment at life’s purpose; the deep-seated love of all humanity despite its considerable foibles — these trademarks of Vonnegut’s worldview, present in all his writing, were offered in the music, lyrics, lively direction and spirited performances.
And, a fun surprise: we all knew James Earl Jones’ recorded voice would be used for narration, but in the last scene Jones actually came onstage to play the role of the wise science fiction novelist Kilgore Trout (who is mentioned in most of Vonnegut’s novels and clearly represents Vonnegut himself).